It’s not often you get a line up that demands you arrive the second the doors open but that was the case last Friday night at Manchesters New Century Hall. Headlining the night was the energy-fuelled Indie Pop duo Good Neighbours but first up was FLETCHR FLETCHR , one of the most exciting new live acts in the country. From start to finish their set was filled with a dramatic tension. A blend of moody synths, dense drum beats and echoed vocals that floated through the venue.

The city’s biggest celebration of the best new and independent film, Manchester Film Festival , returns in 2026. An annual celebration of storytelling through cinema, MFF brings film lovers and filmmakers together for 11 days of screenings, Q&As, red-carpet glamour, and so much more. Now in its twelfth year, Manchester Film Festival has grown year-on-year, and is now one of the biggest celebrations of cinema in the UK, with consistently high reviews from The festival will als

Suede are having fun on this tour. That’s all. They’re in sweaty, beer coated venues playing songs they’ve only just written and bouncing about like lunatics. They have a weird goth-punk band opening for them and a mass of dizzy teenagers lining the barrier; they’re a definitively modern band. Suede at RFH 14 Sept 2025 credit Paul Khera The strange gothic kids that christen the night are called Bloodworm, a three piece band from Nottingham whose instruments hang lazily from

Entering the stage following a dancey remix of ‘Strawberry Fields’ , Hushtones turn their walk out into a playful mission statement for the night: prepare for something retro, thoroughly Liverpudlian, but with a subtle hint at something fresher. The quintet has spent the past few years becoming a staple of the North-West music scene, known for blending guitar-driven indie with bright male-female vocals and a penchant for 60s and 70s leaning songcraft that nods to Fleetwood M

Punk Rock duo Kid Kapichi returned to Liverpool last week to give us a laidback, acoustic introduction to their new era. After the departure of guitarist Ben Beetham and drummer George Macdonald last year, the two-piece have released the perfect send off with new album ‘Fearless Nature’. With a sold out crowd at Rough Trade, they embodied the intimacy of the introspective album, telling anecdotes on creating the album together as a final farewell. The short set gave us ju

The Sunday headliner has been revealed for this June's Africa Oyé Festival in Liverpool. Fifteen years after her first UK festival performance at Africa Oyé, Grammy-nominated guitarist and singer Fatoumata Diawara is set to make a triumphant return to Sefton Park this summer. Photo credit: Epiphone/Gibson The UK's biggest celebration of African and Caribbean music and culture makes its return to Liverpool on 20th and 21st June this summer, with Nigerian Afrobeats star Patro

Playing the final night of their 2025 ‘Songs for the Spine’ tour, The Royston Club took to the stage at Mountford Hall on December 13th. Having sold out every date of their UK tour this year, The Royston Club ended their performances in their home from home, Liverpool. Originally from Wrexham, the Indie band have taken the UK’s music scene by storm, playing festival after festival and heading out on an extensive run of UK and EU tour dates in 2026. Finding huge success fo

Danny’s Always Late had the whole scene of Artefact bouncing and anticipating their every note. The four piece drags you into a sphere of Shoegaze, Indie and a fresh new take on Punk, curating a vibrant and luscious new sound. The quartet has such unwavering energy and immersive music that you feel a part of the musical experience they take you for. Photo Credit: Thea Radford They begin their set with ‘Drunk Kisses’, their skilled techniques and textured sound comes across

We caught Delaner at District for a headline show that felt less like another date on the calendar and more like a marker of progression. Busy from the first doors, there was a sense early on that this was a band stepping into their own space. Operating within an Indie Rock framework, Delaner blend loud, rhythm-driven arrangements with emotive songwriting and dynamic shifts, drawing from classic alternative influences while maintaining a distinctly modern edge. The band’s s

Keyside returned to Liverpool last Friday with an exceptional sold-out headline performance at the O2 Academy as part of their 2025 UK tour. Following a busy summer on the festival circuit, featuring BBC Radio 1’s Big Weekend , and supporting the likes of The Wombats , Keyside continue to prove themselves as one of the North West’s most exciting rising bands. Photo Credit: Marieke Macklon Supported by The Cases and The Kowloons , both acts delivered rocking performances th

Over the last two years The Last Dinner Party have sky rocketed from exciting newcomers to one of the most acclaimed bands in the UK. Having broken through with the hit ‘Nothing Matters’ which blew up online, they quickly proved that they’re far more than a one hit wonder. Their debut album ‘Prelude To Ecstasy’ was one of the standout albums of 2024, filled with a shimmering expressionist singles, giving graceful Baroque Pop ballads a maximalist twist to wonderful effect.

Tucked away on the corner of Hardman Street, one of Liverpool’s most beloved grassroots venues, Quarry , begins to swell with swathes of eager fans of local band Monks , as they prepare for the final show of the year. Photo Credit: Kieran Shayle Stepping down into the newly re-opened venue, the intimate 250 capacity lent an air of exclusivity and mystique to the evening, which was only emphasised by the dimly-lit rooms, draped in veils of smoke and occasionally pierced by sha

Temeraire - an ensemble born from Liverpool’s music course - unveiled their first acoustic set within the warm, rustic embrace of Artefact , a venue that seemed to inhale and exhale with the band’s every note. The evening unfolded like a tapestry of brassy hues, yearning vocals, and a distinctly bohemian aura that lingered in the audience. The night had a gentle, handmade sound, each charming song being another step into their budding music career. Photo Credit: Will Litton

On October 29 th , alright (okay) released their long-anticipated EP ‘ Decent (Fine) ’ ( read our review here ). Then, on November 15 th we gathered to hear this enticing EP played live at Liverpool’s trendy venue Future Yard. Boasting five support acts, the gig was thrust into life by Grungy, eruptive three-piece colourwash , followed by the Metal-infused Face It Tegan and the haunting intensity of Broadsheet Speak , peaking with the Punky, radiant energy of Broken Down G

In the grand Philharmonic Hall , where classical instruments usually whisper, true Rock ‘n Roll erupted with full force. Yee Loi, a fiercely talented, punk family trio, hit the stage with explosive energy and a gritty yet polished sound that felt refreshingly raw for the refined setting. Rebellious and punky, they joked, “I didn’t think they let people like us into places like these.” But it was clear; the moment they bursted upon the stage, they deserved and worked hard fo

In the legendary depths of Liverpool’s Cavern Club , a raw and invigorating sound bounced off the brick walls... rising Indie quartet Courds . We felt as if we were witnessing the start of something much larger than this basement they played as the Liverpool outfit delivered an electric performance. They launched into their set with ‘Fault Lines’ and ‘Cherry’ instantly drawing in the audience with low and melancholic verses that suddenly erupt into bursts of gritty power.

Resonant. Tender. Understated. The natural kinship between Euan Blackman and the Kazimier Stockroom is impossible to miss – their handcrafted harmony made for something quietly magical on the night of October 23rd. The Stockroom’s exposed brick and limited capacity allows for a rare, standing-only intimacy, making it a haven for the city’s creative undercurrent. Constantly reinventing itself, the Kaz dedicates itself to amplifying new talent and celebrating authenticity ov

Following the recent release of their debut single ‘Coffee Cups’ , the five-piece George and the Jungle headed to the Kazimier Stockroom for a night of funk-infused fun. Based in Liverpool, this band combines groovy basslines with punctuated saxophone solos in their infectious live performances. Photo Credit: @florintein The night kicked off with the 8-piece band P.S.M merging sonic layers of violin, tuba, flute, and breathy enchanting vocals, reminiscent of the chaos of B

Rising from YouTube origins, James Marriott has carved out a distinctive voice within the UK Alt-Rock scene, building his platform on a connection to his loyal fans and raw vulnerability in his songwriting. Photo Credit: Paul Lang James performed an intimate show in Mountford Hall, Liverpool. Tucked inside the University of Liverpool’s Guild of Students, an electric atmosphere was present from the opening track, ‘ Something’s Wrong ’, when he emerged from a smoke-filled st

As we head into the final months of 2025, we're looking back on some of our favourite live moments from the year... Wednesday the first of October was an uncharacteristically warm night for the start of Dirty Nice’s tour. Fitting, really, given they brought their warm Indie-Pop glow to District, playing to an eclectic crowd. The evening opened with two local acts. First up were Snatch , who kicked things off with a burst of loud, Grungy Hard Rock. Guitars snarled and screeche