Tucked away on the corner of Hardman Street, one of Liverpool’s most beloved grassroots venues, Quarry , begins to swell with swathes of eager fans of local band Monks , as they prepare for the final show of the year. Photo Credit: Kieran Shayle Stepping down into the newly re-opened venue, the intimate 250 capacity lent an air of exclusivity and mystique to the evening, which was only emphasised by the dimly-lit rooms, draped in veils of smoke and occasionally pierced by sha

Temeraire - an ensemble born from Liverpool’s music course - unveiled their first acoustic set within the warm, rustic embrace of Artefact , a venue that seemed to inhale and exhale with the band’s every note. The evening unfolded like a tapestry of brassy hues, yearning vocals, and a distinctly bohemian aura that lingered in the audience. The night had a gentle, handmade sound, each charming song being another step into their budding music career. Photo Credit: Will Litton

On October 29 th , alright (okay) released their long-anticipated EP ‘ Decent (Fine) ’ ( read our review here ). Then, on November 15 th  we gathered to hear this enticing EP played live at Liverpool’s trendy venue Future Yard. Boasting five support acts, the gig was thrust into life by Grungy, eruptive three-piece colourwash , followed by the Metal-infused Face It Tegan and the haunting intensity of Broadsheet Speak , peaking   with the Punky, radiant energy of Broken Down G

In the grand Philharmonic Hall , where classical instruments usually whisper, true Rock ‘n Roll erupted with full force. Yee Loi, a fiercely talented, punk family trio, hit the stage with explosive energy and a gritty yet polished sound that felt refreshingly raw for the refined setting. Rebellious and punky, they joked, “I didn’t think they let people like us into places like these.” But it was clear; the moment they bursted upon the stage, they deserved and worked hard fo

In the legendary depths of Liverpool’s Cavern Club , a raw and invigorating sound bounced off the brick walls... rising Indie quartet Courds . We felt as if we were witnessing the start of something much larger than this basement they played as the Liverpool outfit delivered an electric performance.   They launched into their set with ‘Fault Lines’ and ‘Cherry’ instantly drawing in the audience with low and melancholic verses that suddenly erupt into bursts of gritty power.

Resonant. Tender. Understated. The natural kinship between Euan Blackman and the Kazimier Stockroom is impossible to miss – their handcrafted harmony made for something quietly magical on the night of October 23rd.  The Stockroom’s exposed brick and limited capacity allows for a rare, standing-only intimacy, making it a haven for the city’s creative undercurrent. Constantly reinventing itself, the Kaz dedicates itself to amplifying new talent and celebrating authenticity ov

Following the recent release of their debut single ‘Coffee Cups’ , the five-piece George and the Jungle headed to the Kazimier Stockroom for a night of funk-infused fun. Based in Liverpool, this band combines groovy basslines with punctuated saxophone solos in their infectious live performances.  Photo Credit: @florintein The night kicked off with the 8-piece band P.S.M  merging sonic layers of violin, tuba, flute, and breathy enchanting vocals, reminiscent of the chaos of B

Rising from YouTube origins, James Marriott  has carved out a distinctive voice within the UK Alt-Rock scene, building his platform on a connection to his loyal fans and raw vulnerability in his songwriting.  Photo Credit: Paul Lang James performed an intimate show in Mountford Hall, Liverpool. Tucked inside the University of Liverpool’s Guild of Students, an electric atmosphere was present from the opening track, ‘ Something’s Wrong ’, when he emerged from a smoke-filled st

As we head into the final months of 2025, we're looking back on some of our favourite live moments from the year... Wednesday the first of October was an uncharacteristically warm night for the start of Dirty Nice’s tour. Fitting, really, given they brought their warm Indie-Pop glow to District, playing to an eclectic crowd. The evening opened with two local acts. First up were Snatch , who kicked things off with a burst of loud, Grungy Hard Rock. Guitars snarled and screeche

As we head into the final months of 2025, we're looking back on some of our favourite live moments from the year... Photo Credit: @rtm.shoots.you Our country is headed towards a recession, meaning only one thing, a lack of garages for kids to play music in. Thankfully, in September, Liverpool's District gave all of those with smudged eyeliner and dyed hair a place to scream into a hazy mess of guitars. Opening the night was Pain Program , who came hurtling in like a murder o

On September 19th, what would have been Brian Epstein's  91st birthday, Liverpool celebrated the grand reopening of the Epstein Theatre  (formerly the Neptune) with an evening that honoured the city’s rich musical heritage and promising future. The honour of cutting the ceremonial ribbon fell to Comedian Ricky Tomlinson  before the show began, setting the tone for a night filled with nostalgia. The show commenced with a spirited performance from students at Liverpool Music Ac

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moonsea has-yet again-truly blessed us with her new hauntingly beautiful single, ‘Power Cut’ . Her frequent use of deeply personal themes...