North-West Newcomers: Discover the best emerging acts from the North-West!

Discover some of the best new music from emerging artists in Liverpool, Manchester and all the beautiful places in between!

TERE!

You could absolutely lose yourself in a piano, the breadth of chords and dynamics allows you to tumble through the notes forever. This is, however, the problem that Liverpool based artist TERE! grapples with in her latest single ‘Normal Girl’; the problem of losing yourself to an artistic career, never quite fitting into the boxes that you’re meant to. 

Her piano ebbs and flows, mirroring the youthful uncertainty of her lyricism. It is bedroom-indie at its finest, and her bedroom is clearly full of Clairo posters and glittering fairy lights and a solitary piano. It is a bedroom that’s been sung to every night, turning murky thoughts into crystalline notes. ‘Normal Girl’, despite being about the fickle teenage experience, is quietly building a world of its own, unfurling like a blanket that allows this instability to be sat with. In the end, there is no finale, or grand piano solo, it fades out gently bathing the world, or at least a few bedrooms, in a warm and tender glow.

Words by Esme Morgan-Jones

Holly Head

Manchester’s post-punk quartet, Holly Head, hits their exponentially growing crowd with ‘No Country Is An Island’. Budding their visceral sound from their beginnings in basement laundrettes, Holly Head’s grassroots flavour leaks and diffuses to give a raw and tangible taste to their songs.

Razor-edged guitars and persistent percussion make ‘No Country Is An Island’ a striking tune that emphasises its politically driven message, and Joe Moss’s Fugazi reminiscent vocal delivery cutting through the groove give this tune a whole lot of conviction. Supporting Westside Cowboy in 2026, Holly Head is here to drive home the very important reminder that each one of us is human.  

Words by Steph Stanbrook

Ugly Jumper

Ugly Jumper’s latest EP, ‘Everything Is Not Alright!’ reinforces the band as confidently pushing their boundaries while still sounding unmistakably like themselves. It’s messy, controlled, loud, tender and thrilling, an emotional rollercoaster. Opening track ‘Blink N Ur Dead’ is haunting and beautiful, setting a new tone for the band. KC’s vocals float around with a ghostly aura, drifting through the mix with a melodramatic presence.

Photo Credit: @lens_of_a_wool

The acoustic sound brings an introspective style to Ugly Jumper, showing a willingness to contrast from their usual ferocious sound and create a softer style. But the calm doesn’t last long. ‘Television! Teacher! Mother! Secret Lover!’ erupts with angst, throwing you straight into the record’s whirlwind. The production from Jake Gore is tight and layered, with vocals drenched in reverb along with Andy’s humming and pulsing bass. When the second vocalist joins, the song takes on a new duplicity, eventually peaking as both vocalists howl into the mic. It’s packed with boundless energy, an impressive track that we know will be inevitably explosive when performed live. ‘Penny Pot’ shifts the mood again. It begins with melancholic, muffled vocals that cross into classic Emo territory. Nat’s guitar thrums and vibrates beneath Loz’s persistent and exciting drumbeat, both catchy and mournful. It’s easy to imagine their crowd swaying in unison, absorbed by the tune's complexity. ‘Captain Andy Pants’ adds a playful edge, opening with a brief discussion about the song’s character before launching into something fun, driving and Riot Grrrl in spirit. The whining guitar keeps your foot restlessly stamping, continuing the band’s relentless energy.

Words by Cara Panini

The Kowloons

The Kowloons are back with their latest single and they hope you’ll check it out, or as they say, ‘Roll Up’. This indie group from Liverpool features heavy influences from nostalgic brit pop to other indie triumphs along the lines of Circa Waves to The Rolling Stones. ‘Roll Up’ is the latest single which was released on February 12th. 

Photo Credit: Becca Oliver

The track touches upon the daily tasks and struggles people might have in their lives. ‘There's a feeling that you get, lying in your bed, and it hits you like a landslide’ could suggest that life comes at you as fast as a landslide, especially on a dark and dreary morning. This is where the Kowloons shift the perspective with the track theme, where you just need to ‘Roll Up, till the sun comes out again’ until life becomes bright once again. Another driving force includes upbeat guitar solos to drums being heard throughout. This track has the elements of an indie summer track, which help bring the energy up, while going against the general song consensus. The instrumentals are almost fighting back against struggles of the day to day, and they hope that you continue to also ‘Roll Up’. 

Words by Ollie Watts

Korova

If a song could encapsulate a smoky room and the smell of incense and sweat, Adore by Korova would be it. It begins in a minor key, with some Fleetwood Mac-esque drums and guitar, establishing the song with a mystical tone. After about a minute of this sensual instrumental, the vocals come in with passion and intensity.

There is a constant push and pull of the rock influence, the verses oozing with this witchy, subtly mystifying atmosphere, which is brought to full force in the choruses with a burst of volume and pace in the drums and electric guitar. Korova utilises the slow and gradual ending very effectively, each instrument fading out in tune until it is tied up with a similar sound from the beginning. This beautiful piece of indie-rock music is perfect for people who yearn for Stevie Nicks and Lindsey Buckingham’s passion in a modern context, Korova is most definitely one to watch.

Words by Evie Long

The Marigolds

There seems to be a decline right now in how far people are willing to go for their friends. The internet is divided on whether you should drive them to the airport, or help them move house, or even show up for their birthday. The Marigolds, however, know exactly how far they’d go, and it’s to write a brilliant, glam-rock, synth driven anthem towards them, now released under the title ‘Friends’. It explores the intensity of connection, and the messy, shimmering nights that come because of it. 

This tune is overexcited, like a kid spinning round and round a playground into a dizzying, breathless crescendo of joy. It has the grittiness of The White Stripes and the drama of Florence and the Machine and belongs in some dingy basement gig, but is propelling itself towards huge headline shows. So whilst the world is tiptoeing around what is too much, The Marigolds have scooped up their mates, turned up the tunes, and have suggested that you come along too.

Words by Esme Morgan-Jones

Die Tonight

Liverpool newcomers Die Tonight arrive with their debut single on February 27th. ‘Shrine Song’ is an unashamedly seductive statement of desire and devotion bound to leave you breathless. Channelling the raw sounds of Industrial Rock at its most operatic and Glam influenced, the trio’s debut single recalls the charge of Rammstein, the Goth atmosphere of Type O Negative, and the passion of ‘With Teeth’ era Nine Inch Nails.

Sensual and sexually charged, but not without a hint of provocation and menace, this is a song that wouldn’t sound out of place in the soundtrack of David Lynch’s ‘Lost Highway’. Driven by pulsating, throbbing synths, distorted, confrontational guitars, and pummelling, mechanical, techno-inflected drums recalling Skinny Puppy, ‘Shrine Song’ is as ready for the physicality of sweaty club dancefloors as it is for the theatricality of live gigs. Formed by members of fellow northern heavy hitters, Crawlers and Generation, there’s no doubting that ‘Shrine Song’ heralds the arrival of a truly exciting new band intent on making 2026 their year.

Words by Angus Mackenzie

Dock City

Liverpool’s Dock City bring a moody, melodic twist to Indie Rock on their latest release. 'Getting To You' is a lively track full of heavy beats and anticipation; the song's got an exciting groove to it.

The vocals on this song almost croon to us, “Is it getting to you?” hooks onto something intimate in anyone listening. There's a deep passion that lurks in both their lyrics and shines in their work ethic. The band aims to release one song every month - and we certainly believe they’re the perfect new band to fall in love with!

Words by Abigail Keyworth

MARiMARi

Liverpool-based Hyperpop artist MARiMARi is once again flooding the scene with the chaotic vibrance of her new single ‘Suck my MP3’. This Japanese-British artist is known for her maximalist cyber-charged sounds, blending exciting edgy beats with lyrics exploring femininity, queer identity, and personal experiences.

Short but punchy, the track opens with glitchy percussion and distorted vocals, immediately launching the listener into MARiMARi’s world - it’s as though you’re stepping into a sweaty neon club or the inside of a pixelated video game. The opening lyrics point fun at catcallers and harasses with jibes like “you’re a creep with a cap cos you’re so bald”, turning relatable lived experiences into witty lyrics. The song's title is chanted in an anthemic, catchy way, sure to lodge itself in your head for hours. For fans of Charli XCX, Ayesha Erotica, or 100 gecs, MARiMARi is the new hyperpop fix you’re craving.

Words by Mary Rossiter

Funeralcare

‘Flimsy’, the new single from Manchester band Funeralcare, lands with an easy, intimate vibe, far calmer than the punchier energy of their 2025 EP 'Marathon', yet still holding onto the band’s knack for catchy hooks – the chorus is one that you won’t be able to get out of your head even if you try. 

However most apparent on this track is how at home lead singer Georgia Babrahani’s vocals feel on something sultrier and more alluring than the band has experimented with before. It highlights something we’ve known for a while about them, which is the effortlessness in which they are able to transfer their skills from genre to genre.  Now we can't wait to see what the rest of 2026 brings for them.

Words by Ella Holmes

The Balla

Formed in 2025, The Balla are an exciting new band quickly making their mark on the North West music scene. The four-piece have worked exceptionally hard this past year, playing Liverpool Sound City and releasing their debut single, ‘I’m Not a Number’, in June. In just six months, it’s clear that The Balla have already come a long way.

A band built on determination and heart, this energy is channelled into their upcoming single, ‘Paris’. The track is vibrant and enticing, combining confident vocals with grungy Indie riffs. As the song builds, each instrument seamlessly intertwines, delivering a layered, euphoric chorus. Short and punchy, ‘Paris’ hooks listeners from the start. Having already trialled the song live, the positive reception promises exciting things for its release. As The Balla set their sights on 2026, having sold out their first gig of the year in just 10 hours, this band is ready for further success with ‘Paris’.

Words by Eve Waterhouse

Gondolas

‘YOU KNOW THAT’ is the new single from GONDOLAS arriving February 20th. It offers pure immersion in under five minutes. The guitar riffs throughout the song are electric in both the instrument type and the atmosphere. Passion seeps into each chord and lyric, layered voices and harmonies in the chorus emulsify this dark intensity that you can feel in your whole body. Gondolas have understood perfectly when to strip back the instrumental.

The slightly slower paced, stripped back bridge allows for the fast paced power of the ending to be even more amplified. It is charged with an exhilarating combination of raw, emotive vocals and extremely impressive electric guitar. The song rounds up with a gradual reduction of pace and volume, the layers of vocal and instrumental are stripped down leaving listeners with the feeling of having embarked on an emotional and impassioned journey. This Indie song encapsulates the multifaceted nature of love, loss and anger and, through the greatness of the track, allows you to develop these emotions too. 

Words by Evie Long

Drew Frield

The last single ‘I Don’t Like Looking Up’ from North-west songwriter Drew Friel is perhaps his most punch and direct yet! Straight from the off the drums kick in with a lively crash and the bright Indie riff drives the track forward with an infectious energy.

The verses are laced with a bittersweet nostalgia, talking of past memories and reminiscent love stories. Meanwhile the indie jangle makes you want to move. It’s bright and fun yet bubbling with a sentimental undercurrent. The chorus is filled with a charged intensity that is Drew at his very best. The drop down later in the track talking of “drugs are better with friends” offers a moody tension similar to Sam Fender’s more angsty tracks before diving back into that wonderful chorus once more. So dive in yourself, singalong and sooth your nostalgic scars with this strangely uplifting single.

Words by James Booton

Scarlett Rosetta

Scarlett Rosetta's refreshing new EP, High Tide, is versatile in its warmth, fitting for summer days, sprawled out in the grass, as much as it is for candlelit kitchen dancing. The five rounded tracks combine the bluesy, vintage feel of her 60’s influences with dreamy, folk sounds. The depth of Scarlett’s vocal ability shines on tracks like The Ghost of Absence and High Tide. Drawn out lyrics and silky ad-libs create a siren-like sound that invites the listener to relax into their senses. 

Smoker and Get Out introduce upbeat, swinging melodies. The former dwells on the bad habits that love can bring, transporting us straight into the past with a static vocal modification, while the latter’s fast paced, country instrumentals convey the clear-headed relief of being ready to move on. Stand-out track, Back To You, is striking in its reservedness. Its measured, acoustic sound is heart-breaking in combination with the melancholy acceptance of lyrics like, "he goes back to you, what can I do?". Scarlett's classic Brit-pop tone and Americana influences create a unique sound that seems meant to be. In combination with her intentional composition and vocal command, all signs point towards an exciting future of music.

Words by Neave Adams

Bunny Alex

Bunny Alex creates a beautifully haunting nostalgia in her music, often building a tonal contrast between the instrumentals and vocals. In previous singles such as 'And I Spiral' the guitars have a gritty Grunge sound, brining a punch to the track. Meanwhile the vocals have a much cleaner finesse, using a Hyper-Pop auto tone twang to bring a modern edge to her melancholic melodies.

The result of all of this is a wonderful textural balance that rings of 90s Grunge Pop. However her recent single 'Ugly Crying' leans into her melancholic side, building a slick electro pop sound with a delicate sentimental lyricism that plucks at your heartstrings. The lyrics are lamenting but the delivery is enticing with the smooth finish. The melodies are subtle but insanely catchy and you’ll find yourself getting lost in her gloomy spirals of sound.

Words by James Booton

Ty Freeman

A singer songwriter with all the sensibilities and passion of Rock and Roll, Ty Freeman emerged as an exciting new act in Liverpool last year. What will instantly grab you when listening to his three singles is the raw, raspy power of his vocals. They elevate each line to become a heartfelt exclamation.

‘One Way Love’ has a seductive high energy groove oozing pure Rock bravado while Ty delivers his vintage-tinged vocals with an infectious command akin to fellow Merseyside talents Miles Kane and The Zutons. ‘Better Man’ takes a steadier approach, stopping back the sound of the early stages to centre focus onto Ty’s vocals before the song finally erupts in an instrumental cacophony. Ty’s most recent release ‘Monareen’ has a more sentimental, lamenting tinge to it  plucking on your heartstrings and drawing on all his wonderful emotive power. Ty is definitely one to discover in 2026.

Words by James Booton

freyahopedixon

Freyahopedixon has cultivated a sound full of raw emotion, reminiscent of Phoebe Bridgers and Lizzy McAlpine, with a coarse edge reminiscent of Alanis Morissette. Her latest single ‘end starts again’ pairs vulnerable, relatable lyrics with building instrumentals and enveloping production.

Bare acoustic guitar opens the track, as the morose lyrics “rummaging through the garden for trinkets” build a narrative, before backing vocals and intensified strumming deepen the sound. The chorus “one more step to take, until the end starts again”, satisfies with its silky delivery and reverberation, whilst electric guitar and overlapping vocals take the track to its peak. The building production and themes of family, dwelling in the past and self-doubt, create a sense of trudging forward despite suspecting that every step is wrong. With perfectly uncomplicated metaphors and lyrics that resonate, the track conveys a delicate sadness. Yet angst comes spearing through, like sunlight through the trees, providing a sense of hope for the next step.

Words by Neave Adams

Manor House Hotel

'Watching Dahlias' by Manor House Hotel brings joy and light to the listening of music. It begins with upbeat chord progressions and drums that rope you into the fun and exciting nature of the song. The vocals, particularly the harmonies that are introduced in the first chorus, are smooth and addictive to listen to.

The track feels like the beginning of summer or the first stages of falling in love due to its fast paced liveliness. The moment in which the instrumental is stripped and the vocals shine exposes a rawness to the song, which, when the track comes back in, brings with it another level of energy to the final choruses. Ending with the repetition of lyrics alongside piano chords and drums gives a sense of completeness which is incredibly satisfying for a listener. This song is guaranteed to be stuck in your head upon the very first listen. 

Words by Evie Long

Bones

The Scouse alternative group Bones have returned with yet another ardent song, ‘SHOW ME’, making this their third single. Adopting a dark yet vibrant sound we thought slightly eminent of the grunge radiance of Sonic Youth, Bones presents ‘SHOW ME’ with a sense of urgency and restlessness that gives it a sense of jagged power. A heavy shoegaze rock with gothic inspirations that pack a bite elevate to take this tune to the next level.

With emotive lyrics that complement the song's intensity, ‘SHOW ME’ is driven with a confident passion that digs into the rawness, anger, and longing that can exist in personal relationships, the singer’s vocals displaying this edge. Surrounded by these fierce instrumentals, the band’s chemistry shines to cocoon this song with zeal. 

By Steph Stanbrook

The Empty Page

‘Death On Our Side’ is the latest single from Post-Punk trio The Empty Page. On their latest release, the Manchester natives explore the existential ennui of the contemporary moment. The song opens with a progression of lightly distorted guitar chords before ethereally reverbed vocals pull you straight into a burst of pure auditory energy. Both dynamic and determined as well as sombre and angsty, the band’s latest song is a brilliant condensation of their Shoegaze and Grunge influenced Post-Punk sound.

Photo Credit: Debbie Ellis

Reminiscent of the very best of Hole, Deftones, and Slowdive, underneath the song’s dreaminess and disaffection lies an energetic forcefulness for a better present, a better world. Swirling, washed out guitars create cathedrals of swirling sound, while the drums produce a steady pounding rhythm, constructing a perfect dichotomy between tenderness and aggression. At one point in the song, singer and bassist Kel Page sings, ‘the future is overrated’. She’s right. Who needs the future when you’ve got bands as great as The Empty Page right now.

Words by Angus Mackenzie

Malatone

Liverpool’s Alternative Rock scene is an energetic space with newcomers Malatone highlighting an exciting, rhythm stopping section of it. Having released multiple singles this past year that are laced with raw emotion, driving drum patterns and a magnetic darkness, their sound is captivating the Liverpool scene, gigging extensively across various grassroot venues.

Inspired by the likes of Paramore, Deftones and Evanscence, they are bringing blends of Gothic, Indie and Pop-Rock sound and visuals into the new year - keeping the alternative scene alive and vibrant in 2026.

Words by Lula Ljamalari

Preach

If you are an active fan in Punk and Synth-Pop, it is likely you might have come across new band Preach at a show recently. Combining elements of Disco that keep you grooving with the unapologetic and passionate energy of Punk, this innovative approach by the band commands attention on stage and can truly engage a crowd.

Inspired by LCD Soundsystem, Pulp and Bronski Beat, their wide generational appeal ties into their inclusive values. The band has recently been in the studio ready to give us new music in 2026, that will keep the heart and soul of Alternative sounds and scenes pumping. 

Words by Lula Ljamalari

alright (okay)

alright (okay) have been around since 2021, since the release of their debut single ‘Coffee’. Since then, their style and sound, and presence in the local music scene has flourished. They are now known across Liverpool for their energetic live shows, praise deemed unsurprising upon listening to their latest EP ‘Decent (Fine)’. The opening track, largely instrumental, introduces you to the sonic direction of the project, opening with mysterious guitar melodies, before being intercepted by a distorted riff that launches the EP into a faster pace. It’s in the closing sixty seconds of the track when we first hear vocals, shouted and stressed, seeping in Post-Punk tradition. 

Photo Credit: @florintein

The rest of the project follows suit, the vocal delivery not unlike early Black Country, New Road tracks. There is a danger to fast Post-Punk tracks such as these in that they run the risk of sounding messy in their grittiness, but alright (okay) avoid this, marrying grit with sonic togetherness, combining the dissonant with the enticing, a powerful backdrop to vocals that exude an addictive angst. The crunchy ambience of guitar feedback is a tool the band harnesses, unapologetically loud. It has flavours of the experimental, but is a rewarding listen, marking alright (okay) as an important band to keep an eye on. 

Words by Sam Horsfield

Anna Lynch

Manchester-based singer Anna Lynch is often mentioned alongside names like Amy Winehouse, Olivia Dean, and Laura Marling. Those comparisons make sense, but ‘My Body’, her new single, suggests she’s building her own lane now.

This is her second release, and it carries the kind of quiet confidence that usually arrives much later in an artist’s career. The song has a gentle warmth and Lynch’s voice sits right in the middle of it, earthy and intimate without ever tipping into theatrics. It starts small and builds gently, almost without you noticing, into something surprisingly rich. Stylistically, ‘My Body’ drifts between Soul, Jazz and Indie Pop, but it never feels like it’s trying to tick boxes. It’s simply a lovely, honest track, the sort you might put on during a lazy Sunday morning or when you need a moment to breathe. With this release, Lynch feels less like a newcomer and more like someone worth keeping an eye on.

Words by Thomas McEvoy

People Person

Manchester-based Indie band, People Person, have managed to effortlessly capture the raw emotion of heartbreak through their new single ‘Frances’. The guitar tone describes the vulnerable feeling right from the first chord. The delicate vocals sound ready to crack, which beautifully depicts the desperation and sadness in this song.

The lyrics “broken and starving” do a perfect job of portraying the emotion in the song as a whole; this, paired with shimmery soundscapes, help to create atmospheric imagery. There is a sense of stillness in the song as it ends with just drums. This stylistic choice highlights a sense of isolation and follows perfectly from the lyrics “fade away”.

Photo Credit: Gracie Hall

‘Frances’ has an almost floating feeling drawn upon by dreamy vocals. It feels like a single voice trapped in a room, creating a sense of eeriness which is further depicted through the lyrics “that truth has been haunting”. This is a perfect single for entering the winter months, and the fitting artwork sums up everything the song is trying to tell us. This song leaves you wanting more.

Words by Clemmie Milligan

Sisters

Bite, the debut EP from Liverpool based Sisters, is weird. It is for the people who use old sweet wrappers as bookmarks, and bunch handwritten notes at the bottom of their bag, and lose their black lipstick amongst those notes. These people need a soundtrack, and that is exactly what Bite is. It is frantic in places, with ‘I can’t see’ cantering towards spiralling thoughts and late nights, and ‘Sweetness of things’ tumbling into a flurry of panicked drums. 

It is gothic in others, curated for evening walks spent trying not to trip over long skirts and overgrown paths. ‘Weird angel’s pining vocals drip thickly over dusty cymbals with a Wednesday meets Deftones feel. The title track ‘Bite’ is a combination of these, with an eerie tension that seeps out of the slower, almost seductive guitar lines. It dances like a duel, the different melodies circling each other, dangerously close to colliding, yet never quite touching. The EP is for dancing, for overthinking, for screaming and for loving. It is smudged with black lipstick and crumpled from being at the bottom of a bag, and is utterly weird. 

Words by Esme Morgan-Jones

Roscoe Street

Soaring to new heights, Liverpool-based Roscoe Street have been busy working on their latest single ‘Sunbleached’. The Funk Rock outfit blend various sounds and styles to create vibrant tracks, with 2025 looking to be their biggest year yet.

‘Sunbleached’ starts with an exciting riff and a slick blend of instruments. The band’s addition of a saxophone makes for a feel-good track, and the lyrics are captivating from the get-go. A song that makes you wish summer was a bit longer, the track’s beat is quick and compelling. ‘Sunbleached’ demonstrates how all aspects of Roscoe Street come together exceptionally smoothly in one of their strongest singles yet. The dynamic nature of this track will have you hooked throughout and is definitely worth a listen, with this single representing an exciting taste of what’s to come from Roscoe Street.

Words by Eve Waterhouse

Brides

To use their own words, Brides deliver ‘a big ol’ pint of Leche for your ears’ with the release of their new EP, ‘Leche’ consisting of six new tracks, each one individually crafted with a unique flavour. Frying up and serving an incredible delivery on stage at every venue they play, Brides are on tour once again to offer a refreshing drink of their eccentric new talent. In a predominantly alternative rock style, they harbour an undercurrent of both punk and grunge roots in their music. We were reminded of a slightly Lynchian approach to their image, particularly with ‘Creature Culture’, their lyrics conjuring visceral effigies of eerie decadence, with mention of white oak and whisky, accompanied by a deviously cheeky bass line.

Followed by the likes of ‘We’re out of Gravy’ and ‘Rebecca’, Brides shows off their raw guitar talent with a more rapid tune that increases their energy and an impressive riff. All whilst doing this, Brides do not hide their fun side with their introduction to ‘The Ballad of the Teapot’, which appears quite playful. And to tie it all together with their closing track, ‘Hideous Monsters’, which we found to remind us of tracks by We Lost the Sea, Brides completes their EP in a fashion that showcases their unbridled and chaotic, fun and surreal talent. 

Words by Steph Stanbrook

Dollop

There’s a shimmering haze that hangs above the four-piece local outfit dollop and it simply just won’t go away - these boys are snappy, oozing with charisma, and channel a nostalgic 90s Britpop essence that truly scratches an itch for Grungy Indie Rock that boasts a pop-infused overlay.

dollop’s latest offerings of ‘A Dog Indoors’ and ‘Floating Voter’ are cementing their place in the Liverpool music scene, bolstered by shining live performances including our sold out headline with BITE. They may be the new kids on the block, but this quartet knows how to remaster the classic riffs and rhythms we know, love, and yearn for in the modern age.

By Michaela Roper

Lydia Prettyman

Blending intimate and raw lyricism with soft, nostalgic rhythms riddled with gentle nuances, Lydia Prettyman is rapidly forming waves across the Indie-Pop scene. The latest release of her EP ‘Feeling Everything At Once’ cultivates one of the purest gifts the ears could receive: a 5 track diary of emotional epiphany, expression, and admission.

Each track delves into the intricacies of navigating the longing complexities of love and self-sacrifice - a tribute that beckons sentiments buried close to all of our hearts. Lydia Prettyman is the unique epitome of Mancunian talent, the glorious representation we have all been waiting for, and you’ll only have yourself to blame if you miss it.

Words by Grayson Conlan

The Way Off

Following on from a hazy summertime debut single, The Way Off have returned with ‘Aside’. Calling to mind the stylings of Sam Fender and Junodream, the song’s fuzzy production combines a low battery audio experience with high energy playing. There’s a simplicity and directness to ‘Aside’. The Way Off are propulsive in their performance but defeatist in their lyrics: “These are the things that make you broken…my mother she knows it drags me over”.

Keeping with the defeatist tone, the vocals are delivered with passionate, exhausted boredom, borrowing the drawl of the Gallaghers and Fontaines D.C. Jangly guitars and crunchy drums enforce the throwback feel of the arrangement, keeping things light and frankly, danceable as hell. This is a song that has the feel of encapsulating a time yet to be remembered - a container for experiences that haven’t yet happened. In short, ‘Aside’ is the sound of nostalgia borrowed from the future.

Words by Jay Plent

Catherine Bullock

Folk is one of those genres that will be around forever, ebbing and flowing like the tide, coming back just when you’re forgetting the beauty of life. Catherine Bullock’s debut masterpiece ‘Readyset’ is here to bring folk back to us once again, with silky guitar, sweeping strings and an adoration for the ordinary. 

They yearn for the human experience, “finger prints on clay”, “worn jumpers” and “her body”, told in a light, airy, voice, the kind you use when speaking to the ceiling in the early hours. It's a little Adrianne Lenker, a little Phoebe Bridgers, a tune for the nights when you’re surrounded by too many pillows to hear anything except the music coming from your headphones. There is a tender intimacy about it, one which will linger, joining the collection of folk songs that slip back into your mind in the middle of the night, reminding you of the beauty of the ordinary.

Words by Esme Morgan-Jones

SPLINT-R

The new single from SPLINT-R, ‘Chicken Joe Dad’, kicks off with a rush of late ’90s and early 2000s American Punk energy. The buzzing guitars and brisk tempo channel the spirit of Blink-182, but the track quickly carves out its own space thanks to a slick electronic riff cutting through the mix. It’s a small detail that makes a big difference, giving the song a spark that feels both nostalgic and new.

The lyrics are playful, good-natured, and catchy. ‘Chicken Joe Dad’ is proof that SPLINT-R can nod to Punk’s roots while adding a modern twist, creating something as fresh as it is familiar.

Words by Thomas McEvoy

Olivia Booth

Having earned airplay by BBC introducing and been hailed as ‘One to watch 2025’ by XS Radio Manchester, Indie artist Olivia Booth has released her new single ‘Mind’ to add to a discography of emotionally charged and energetic tracks. ‘Mind’ is immediately addictive, opening with spurring drums and powerhouse vocals to reflect Olivia's Soul-rock influences.

As Olivia herself described in a Facebook post, the drums are what brings this song to life. They mimic the kinetics in her lyrics “heart rate is spiking”, propelling the song onwards into a triumphant chorus. Booth’s lyrics describe the resilience of overcoming anxiety and embracing the unknown fearlessly. With Rock infused melodies and compelling vocals reminiscent of bands like Paramore, Olivia Booth transcends the boundaries of genre and creates an anthemic, uplifting sound that we will be listening to on repeat.

Words by Mary Rossiter

Tender Claws

Following four engrossing singles, Tender Claws offers her latest track, ‘Disappear’. Sauntering in with punchy guitar growls, the drums lay a steady thump while the guitar flirts with the minor key to give it a charming, gothic pulse. Tess Corr’s brooding vocals ooze in with the same eery sentiments as her previous singles: “hidden from sight/contrived exterior/unthinkable acts”.

Sudden stabs of the piano quicken our pulse as the chorus crashes in and soon our “Sense of time is slipping out of gear”, the rumbling drum fills adding to this panicked momentum. The lead electric offers eery and elaborate solos throughout, lurking behind the central melody like the very presence that the lyrics anticipate: “you’re getting too close I fear”. Foreshadowed by the single’s artwork, seeing Tender Claws’ hooded figure within a graveyard, this track brings us to a place of spooky Rock n Roll that we don’t want to leave.

Words by Maili Jordan

Dan Napper

Following the release of his heartfelt debut single 'Chasing', Liverpool-based singer-songwriter Dan Napper returns with 'Nightfall', a gritty electrified track with a Rock-driven sound. While 'Chasing' was a romantic, acoustic ballad, 'Nightfall' explores the turbulence of forbidden love and the emotional conflict of wanting someone who you cannot have, told through a hard-hitting electric guitar tone mixed with raw, open lyricism that gives the track its edge.

Dan cites his inspirations on his website as 2000s Soft-Rock and Pop icons such as John Mayor, Maroon 5 and Ty Myers, alongside his mission to ‘bring back electric guitar music to the mainstream’. With just 2 singles, Dan Napper is already crafting a distinctive sound, bridging classic guitar-led songwriting with modern Pop sensibilities. 'Nightfall' cements his potential as an artist ready to carve a bold new space in today’s music scene, and it’s clear we’ll be hearing much more from him!

Words by Angel Cox

Sundown Marathon

An exciting new track from an exciting Liverpool band, Sundown Marathon’s latest single ‘Better About You Now’ encapsulates a refreshing nostalgia. Since the group’s formation in 2022, they have released a number of impressive singles, including a debut EP last year. ‘Better About You Now’ is a demonstration of sound developed over the years. Sundown Marathon’s influences such as Inhaler and Biffy Clyro shine through in this track, providing a contemporary sound with a classic indie rock vibe.

A song about closure and acceptance, contrasted with an upbeat tone, creates a piece that elevates a sense of freedom and relief. The energy of this track is undeniable, catchy and uplifting, heavy instrumentation powers the song, making ‘Better About You Now’ a great listen regardless of your preferred genre. Having treated Liverpool’s underground scene for a number of years, the four-piece shows promise with every new release, hinting at even broader horizons. 

Words by Cormac O'Carroll

Pomonoa

Pomona, a Manchester-based group, launch their debut EP with a promising first single that swerves neatly between Punk urgency and emotional weight. ‘Double Yellows’ kicks off fast with a tight guitar riff and shouty vocals with a megaphone edge, charging toward familiar Punk terrain.

Photo Credit: @lfephoto

“Where do we go from here / listen to me now”, they ask, a fittingly existential lyric for a first release. But it’s what happens after the two-minute mark that elevates the track. The tempo drops, and a melancholic stillness takes hold before the band slowly winds the tension back up. The final burst feels earned, cathartic and just a bit heart-breaking — proof they’re aiming for more than just volume and attitude. It’s a head-banger, yes, but one with a cracked emotional core. For a debut, it’s confident, textured and leaves us wondering what else they’ve got up their sleeves.

Words by Thomas McEvoy

Keyside

It’s no secret that the Liverpool music scene has been home to some of the best upcoming artists recently but Keyside take things to a whole new level. The Indie group have been producing banger after banger gaining them a dedicated fanbase. Just when we thought things couldn’t get better, new release “If You Don’t Try” proves they haven’t yet passed their peak or possibly even got close to it. 

Photo Credit: Lawrence Watson

Blissful guitar opens the track crafting a summery, nostalgic feeling which intertwines with Dan Parker's vibrant vocals making the single immediately burst with charisma. “If you don’t try I guess you’ll never know” Parker announces, his vocals commanding alongside lively riffs making the music refreshing. After every chorus the guitar lines become raw and authentic, reminding us of Keyside’s immense talent for creating festival-ready tracks. The lyrics grapple with an important message of defeating self-doubt and always giving things a go which blends perfectly into the high-spirited track where once again we see Keyside turning real life struggles into an Indie-Pop hit. 

Words by Izzy Hayden

Moss Side Sauna Club

Moss Side Sauna Club serve up a slice of chaotic goodness with new single ‘My Weird Appetite’. The Manchester trio blend Electro Pop and Indie into something dancefloor-ready and weirdly irresistible. A pulsing bassline kicks things off before the track breaks open into a melodic chorus that acts as the heart of the song, offering a dreamy contrast to the glitchy energy around it.

Vocals weave in and out, while the bass and drums push the track forward with restless momentum. The percussion, in particular, shines through, sharp and clean without overpowering the mix. It’s a track full of texture and movement, the kind that keeps shifting just when you think you’ve got it pinned down. Moss Side Sauna Club sound confident, playful and totally in their element. ‘My Weird Appetite’ is chaotic, catchy and made to be heard loud.

Words by Thomas McEvoy

Florentens

Having gained a cult following playing in gritty independent venues across the North, The Kairos have finally treated fans to their debut EP, putting some of the crowd favourites down on record so we can still enjoy Florentenes even when we're not packed into a sweaty live show. The EP kicks off with thumping energy of ‘The Gun’. From the very first moments, as thick riffs blend with big punches, you can tell that this track is going to be ferocious anthem. The sharp guitar work and instrumental interplay rings of Arctic Monkeys while the raucous vocals and huge energy are reminiscent of Rock greats as well as fellow contemporaries on the North-West scene such as The Kairos.

‘Fuel for the Flame’ follows with a greater poignant depth, churning out raw emotion in the lyrics which are especially impressive when you discover it was written by frontman William Smith at 16. We're then thrust back to dirty dancefloors and Indie moshpits with the unforgiving energy of ‘What It Takes’ before the EP closes with ‘Miss Understands’, a feel-good indie anthem perfect for singing along to at summer festivals. Indeed you can catch them at NBHD Weekender and Golden Touch festival this summer so don't miss out!

Millie Ady

Independent singer-songwriter Millie Ady returns with new single ‘Blood Rush’, an evocative Folk-Rock inspired ballad. Ady is an independent musician hailing from Liverpool, first emerging in 2023. Her signature soulful voice and delicate lyricism come together on this deeply vulnerable track, alongside her powerful five-piece band who have produced a stunning instrumental that allows her voice to shine.

The lyrics of ‘Blood Rush’ discuss a ‘secret lover’, a vulnerable topic that would be gut-wrenchingly relatable to many listeners who are invited to imagine their own heartaches through her whimsical, dreamlike lyricism. Her raw lyrics and Folk-Rock instrumentals may appeal to fans of artists such as Phoebe Bridgers or Adrianne Lenker. With just four single releases so far, Millie Ady already shows remarkable promise, and we will certainly be looking forward to hearing more from her!

Words by Angel Cox

Muddy Elephant

Manchester’s Muddy Elephant release new single ‘Picture of You’, which joins their expansive discography. Following support slots for The Hunna and The Darkness, as well as selling out iconic venues like The Cavern. Muddy Elephant are set to bring their house party inspired Indie rock to everyone’s playlist. 

Thrashing drums signal the start of the song whilst, the guitars paint an atmosphere. The vocals come in composing the rest of the band. Backing vocals support the claim of the house party. A breakdown halfway through conveys a night coming to an end, before another drink perks you back up when the band comes back in. The 2010s indie scene has clearly rubbed off on the band creating a fresh and sentimental sound. A tune to go straight in the playlist.

Words by Bryn Evans

Mins

Liverpool-based artist Mins, from the Netherlands, continues to show potential with his debut EP, ‘SkinDeep’. One of the standout tracks is titled ‘Marylin’ and encompasses feelings of reflection, confusion, and yearning. The song transitions smoothly from relaxed R&B to an epic electronic breakdown, closing out, representing the gradual tension of heartache that builds towards an emotional explosion when hope is lost.

The overall production and structure of the track resemble that of a seasoned performer in the genre, Mins is already on his way to stardom. Self-proclaimed ‘bedroom slop’, Mins’ bedroom studio acts as a creative centre, channeling lived experiences and feelings into his music from a place of personal resonance. We strongly recommend you check out ‘Marylin’ and the rest of the EP; you will not be disappointed.

Words by Cormac O'Carroll

Televised

The effortlessly cool debut release from fresh-faced, four-piece Indie Rock outfit Televised encapsulates everything we know and love about punchy guitar riffs, and anthemic lyrical work. The band’s first single ‘West’ oozes with a sense of charisma, and blends euphoric sonic injections with gritty verses. The track doesn't shy away from showcasing impressive textural planes that work so harmoniously alongside each other.

Televised navigate flawless breakdowns with such heightened musical maturity. Carving a new path into the modern histories of Indie Rock is no mean feat, but these Manchester rockers are offering a seamlessly produced, toe-tapping track that steps out of the box and right into the limelight. Propelled by the energetic vocals of frontman Sam Cutting, their debut boasts soaring psychedelic rhythms, sharp drum efforts and an exhilarating soundscape which yearns to be plugged in and played loud. These boys know their way around a riff or two, that’s for certain.

Words by Michaela Roper

Yasmin Coe

Manchester songwriter Yasmin Coe is bringing girly power pop back and we can’t get enough! Her newest release ‘Blink Twice’ combines soft, whispery vocals with moody drums, creating a mysterious and absorbing listening experience. The cover art, created by Ella Roberts, promises a sleek and sultry sound and the track does not disappoint.

The distortion on the guitar adds grit emphasizing the emotive impact of the lyrics and helping the listener to resonate with the heart of the song. Yasmin is one of the most promising songwriters in the North-West and definitely an artist to keep an eye out for.

By Anna Whiteley

Snowdrop

A yearning sense of nostalgia flows through Snowdrop’s newest track ‘This Is The Life’, a gently crafted scrapbook of the classic Indie Rock arbiters stamped with a charming, youthful twist. The song comes from their debut EP 'Seek Grace' which showcases the four-piece outfit’s charismatic demeanour whilst still offering up some well-rounded, toe-tapping instrumental work.

Snowdrop may have been born out of an unsuspecting small town in Cheshire, but their soundscape falls nothing short of big, beaming and boisterous. Over on vocals, Ryley Johnson breaks through the fuzzy stream of rhythm guitar to tell tales of past loves and teenage dreams. Dylan Evans smashes onto the scene with effortless work on the drums, providing the beating heart of the track as it scurries between breakdowns. Songs from the EP like ‘This Is The Life’ and 'Angel In White' wouldn’t sound out of place on a festival stage. Sam Waring’s charging guitar solo closes out the track with a punch - a crescendo that is destined to get crowds going, heads nodding, and everyone seeking more from these up-and-comers.

Words by Michaela Roper

The Sukis

The Sukis have once again proved that their electrifying, contagious melodies are rapidly taking over the North West with the latest addition to their growing discography, ‘To No One’. In the wake of a two-year stretch in which The Sukis stepped back into the shadows to hone their infectious soundscapes, it’s safe to say they’ve made an explosive return this well-rounded, effortless ode to generational change with a razor-sharp Post Punk edge.

The Indie Rock trio wear their hearts on their sleeve lyrically and instrumentally throughout the track; glimmeringly bright guitar rhythms form a cocoon around sentimental vocal stints as singer Tige Burns ebbs and flows through tales of love, loss and desperation. ‘To No One’ showcases an essence of musical maturity, infused with an energetic, youthful excitement that just can’t be replicated. It’s playful, punchy, and brims with self-reflective nostalgia - bound to make waves beyond the familiarity of the North West scene.

Words by Michaela Roper

Dr Orange

Scouse sensation Dr Orange has peeled back the layers in his newest single ‘I Took the Call’, taken from his upcoming collaborative EP ‘Dr Orange & Friends’. In this Retro Indie track, mellow pop meets raw honesty, as the quiet despair that bubbles beneath surface success, makes itself known.

The track opens with a slow instrumental build up which then pulls back for a beat to allow Dr Orange’s unembellished vocal style to lay bare the weight of his lyrics. The striking emotional contradiction of “I got it all so why do I feel so small” captures the core sentiment of the weighted lyrics, made all the more poignant through the ethereal layering of the female harmony that adds a softness to the track.

There is a seamless transition between the varying sections of ‘I Took the Call’, keeping the emotional intensity of the track consistent. As we near the three-minute mark you can hear the pace slow as the opening instrumental build up is reintroduced before leading into a rich, harmony layered chorus that repeats until the song’s conclusion. If this is the call, we are more than happy to pick up.

Words by Beatrice Wright

Miles Temp

You have just moved cities, you meet a boy around a bonfire that you were on the fence about going to anyway, and you end up oversharing about past lovers, as you so often do. That boy is Miles Temp, and you can imagine that his story would be something similar to his new single 'Before You' (Out April 25th).

There is something hazy about the harmonisation of the vocals, and the guitar hangs over them like an unfinished sentence, never quite resolving, a whispered sentence partially drowned out by distant chatter.

These lyrics have a vulnerability about them, almost as if you should walk out of the room when it comes on, and yet the warmth in his hypnotic voice make it crystal clear that this song is for you. It is captivating, a story that yearns to be heard, a story that longs to be told, a story that should be repeated around bonfires, to boys that you’ve only just met.

Words by Esme Morgan-Jones

Super Market

Prolific Manchester duo Josh Super and Jack Market have once again treated fans to another satirical Funk-Punk single. Making this their fourth release as a band, ‘Cereal’ provides another nuanced take on sociopolitical goings on. An upbeat yet educationally liberating silliness fills the track, reminiscent of bands like Gang Of Four as well as fellow Mancunian newcomers vincent's last summer.

Photo Credit: Ellen Offredy

References to insecure materialism, corporate preppy and the hard slog that is an unrelenting 9 to 5 display the band’s rightfully spiteful attitudes to postmodernity’s capitalistic pitfalls. Don’t let 'Cereal’s daunting themes scare you; the song is turning porridge people into Cheerios chaps. Funky instrumentals and a chorus that literally makes you want to "Get up! And eat your cereal". This song is equipped with a fun vibe that can get anybody out of a bad morning, sharing distaste for the working world while celebrating one of our favourite snacks.

Words by Cormac O'Carroll

Hannah Mazey

Calm, reflective and characteristically jaunty, Hannah Mazey's new single ‘I’ll Be Fine’ manages to be an easy and pleasant listen whilst covering deeply personal issues relating to anxiety and overthinking.

The song mediates between an almost placid sorrow and sounding like the sort of thing you’d listen to whilst sitting in a field cloud watching. We begin with modulated chords and set back vocals, all to usher in an all round charming mix of strummed acoustics, well formulated bass lines, casual ride grooves and modest guitar melodies. Hannah’s vocal performance is captivating, wonderfully understated with a tinge of sadness, it binds the song together. ‘I’ll Be Fine’ is yet another one of Hannah's works that solidifies her as one of the most exciting emerging acts in the North-West. Make sure to catch her headline show at the Deaf Institute, Manchester on the 28th June.

Words by Fred Roberts

Dee Rae

Beautifully gentle, Dee Rae’s new single ‘Purple and Red’ is pensive, bittersweet and impressively poignant. Essentially pick a descriptor akin to ‘melancholy’ and it’ll aptly describe this song's superb tenderness.

A more low-key showing comparative to Dee's previous work, the song builds around a softly picked guitar, breathy vocals and droning strings. Despite the deep, brooding strings, the song maintains a light and airy quality that is as pleasant as it is moreish. The louder breakdown section is welcome yet fleeting, with the chords working alongside the drums to move in a rather satisfying manner towards the resolution. ‘Purple and Red’ is brilliant, there’s no two ways about it. For a small pool of releases, Dee Rae’s discography displays a great deal of variation and some fantastic songwriting. Another exciting release from an exciting artist.

Words by Fred Roberts

Paint Me In Colour

The film is reaching its peak, the deciding moment, the fork in the road where the protagonist has to beat unimaginable odds. The soundtrack that accompanies it is 'Happy', the new single by Liverpool based Alt-Pop powerhouse Paint Me In Colour. It is a raw expression of anger: at an ex, or a celebrity, or the world, or, I would imagine, whatever you’re angry about. Paint Me In Colour, wrap the listener in a protective cocoon, give you a pillow to scream into and an ice cream tub to cry over and allow an unbridled rage to escape their audience.

Inspired by the likes of Paramore, they have unapologetically brutal lyrics weighing heavy on a swamp of guitar chords. It is a proper movie soundtrack, the choruses pushing the songs towards the teetering edge of madness, the guitars coming crashing down over the top of a thrashing drum kit. We are left on this precipice, somewhere close to insanity, longing for more. So help us, Paint Me In Colour...you're our only hope.

Words by Esme Morgan-Jones

France, You’re on Your Own

Liverpool Alt-Pop duo France, You’re on Your Own have released a new single, and while it may be short it most definitely packs a punch! Seamlessly combining a simple yet effective acoustic guitar riff with a pounding, passionate drumbeat, the song perfectly encapsulates the feeling of loving somebody so deeply that you want to scream it from the rooftops.

Photo Credit: Carleigh McRitchie

The lyrics of the song further add to this, with heartfelt lines like "Oh my God, I love you babe/ Oh my God, I need you to stay" delivered through raw, anthemic vocals clearly showing the overwhelming depth of emotions that the narrator feels. While it’s not your typical love song, it’s incredibly clear that Mayan Jeroen and Ciaran Francis Dooley have laid their feelings bare and created a song that well and truly speaks from the heart. It’s truly an unforgettable song, and we can’t wait to hear what the band does next!

Words by Sue-Joyce Headon

Iona Summer

Liverpool-based Glaswegian songwriter Iona Summer has released a new single ‘Mirror Image’, a highly intimate and powerful Indie-Rock track that marks her second release. This emotionally charged track is the first track she has released of an EP to come in May of this year that explores specific moments of Iona’s life as a working-class musician.

In this first release of the EP to come, ‘Mirror Image’ captures a compelling balance between raw emotion and an infectious, Indie-Rock energy. It contrasts soft, flowing verses with a more intense, rock-driven chorus created with the help of lead guitarist George Howarth. This dynamic listening experience reflects exactly what Iona seeks to portray which is that of a mirror image- just as a mirror reveals both light and shadow, the song captures both vulnerability and strength. It is a strikingly honest portal of Iona’s personal experiences with family struggles and her resilience to it. Despite the heavy themes Iona explores, she has created a track so irresistibly catchy, with her Glaswegian cadence, beautiful harmonies and a chorus that lingers in the mind.

Words by Beatrice Wright

Pyncher

Manchester-based Alternative Rock Outfit Pyncher have released a new enthralling single titled ‘Get Along’. The young quartet’s latest single is crammed with layers providing a multifaceted listen, one full of depth, moodiness and just the right amount of playfulness.

Photo Credit: Catherine Jablonski

It has a big energy to it provided by Britt Dewhurst’s skill on the bass, Harvey O’Toole’s fiery dexterity on guitar, Jack Rainbow’s zealous drumming and Sam Blakely’s electrifying and gritty vocals. Right from the start we see the playful side of Pyncher through the opening vocals which chant and echo eventually fading into Harvey's strumming. There’s a shift in energy about two minutes in, breaking with earlier repetitions.

This section provides a bluesy feel as you hear the soulful sound of a brass instrument in the background. While ‘Get Along’ provokes a primarily upbeat, headbanging sound, it has a prominent eerie and melancholic undertone that is maintained throughout, even during the bluesy shift.

Words by Beatrice Wright

Chloe Slater

Few artists capture the tension of modern disillusionment quite like Manchester's Chloe Slater. On her second EP, ‘Love Me Please’, she combines explosive riffs with biting commentary, establishing herself as one of the most compelling voices of her generation. This isn’t just another Indie-Pop record; it’s a bold declaration, a raw reflection of a generation that is both disillusioned and defiant. 

The EP features snarling guitars, tight percussion, and lyrics dripping with frustration and strikes the perfect balance between assertion and quiet vulnerability, making it a raw, urgent, and instantly addictive collection. Flirting with Indie Sleaze and Rock bravado, tracks like ‘We’re Not the Same’ wrap searing class commentary in irresistibly bright hooks. Yet, ‘Fig Tree’ is the EP’s emotional core. Slow-burning and deeply vulnerable, its blend of vulnerability and conviction makes it an instant standout, evoking shades of Blur or Smashing Pumpkins.

With her second EP, Slater refines her sound and sharpens her voice, proving she’s more than ready to stand among the genre’s most astute social commentators. ‘Love Me Please’ is confident, intelligent, and deeply felt—a bold step forward for the rising star.

Words by Donovan Livesey

Parlours

'Paradox' by Parlours is a powerful rock anthem that bears weight from the first note. The opening instrumentals are loud and slicing, teasing hooks that emerge later in the track. As the song builds, heavy breakdowns accompany atmospheric vocals and instrumentation to create an elevating, cathartic release. The track is full of absorbing themes, in particular, the striking line “Come as you are” which serves as a reminder of acceptance amidst burden.

Experiential lines like “Father Time is calling, he said I’ve wasted it on you” evoke the frustration and regret of lost time, while “Finally found my purpose, it ain’t chasing after you” demonstrates a sense of self-realisation and independence. The imagery of clouds rolling over ties into the theme of time passing, adding a sense of inevitability which is reflected in the ever-imminent heavy instrumental segments. 'Paradox' leaves listeners with a feeling of raw emotion and empowerment, making it a powerful statement by Parlours.

Words by Cormac O'Carroll

Oh Dear

Providing a well-needed escape from the reality of British winter, Dream Pop duo Oh Dear take a shift in sound in their latest single ‘Backseat’, slowing down the tempo to take a moment to reflect. Perfectly encapsulating the feeling of driving aimlessly through the streets in the early hours of the morning, ‘Backseat’ has become our new favourite track to reconnect with life.

Katie’s soft vocals combined with layers of jangly, reverberating guitar, echo the need to take a step back and appreciate life. These layers blend together with roomy drum beats and twinkling synths to create a texture that makes you feel like you are dancing in the rain. Then halfway through the track we are able to pause and reflect along with the band as the beat slows, leading us into an intermission where the jangly guitar and glittering synths take a break before transporting us back into dreamland again.

Words by Annalyse Slater-Jones

Pet Snake

Under the shiny new alias of Pet Snake, singer-songwriter Evelyn Halls is carving her own path into the Indie Folk mountain with her latest EP ‘Hard (Easy Versions)’. It is a sentimentally uncouth exposè of beautiful sadness that takes the bones of her 2024 EP 'Hard' and informs it with fragile, stripped-back instrumentals and stellar vocal work.

Evelyn Hall’s nuanced lyrical sentiments offer a sense of literary vulnerability alongside tear-provoking acoustics almost akin to the likes of Boygenius and Clairo. Inspirations stemming from the Indie Folk scene are dynamically layered to produce a rich warmth in each track.

Her vocals shimmer delectably, creating a well-rounded run of whispering stories. Evelyn Halls is clearly taking her new path in her stride, opening up her heart as she goes along to truly examine the brief nature of human existence and the emotions existing alongside life. (Read the full EP review here).

Words by Michaela Roper

Permanent (Joy)

Permanent (Joy)’s first offering of the new year boasts an exploration into distorted guitar riffs and gloomy vocal work backed by high-power drum beats.

Their new single ‘I Wanna Go Home’ turns the page of a new chapter for the band as they re-emerge onto the Indie Rock scene. The Merseyside rockers have conducted a clean sonic break from their former journey under the alias of Blondes, leaning into their heavier musical inspirations to produce a track infused with darker, postmodern elements.

https://www.youtube.com/watch?v=UqGiCISVzqY

Holding a likeness to some of Fontaines D.C’s latest work, the song is bold in nature but infused with the pre-loved dinginess associated with Indie Rock. It’s heavy, energetic, and manifests a landmark turn towards the band’s domination of the local music cycle.

Permanent (Joy) are certainly one to keep your eye on as they come off the back of stellar performances supporting Inhaler and The Guestlist.

Words by Michaela Roper

catbandcat

If you can think back to the last time you chased a slightly tipsy spirit through a densely packed forest, you can imagine catbandcat’s new EP, ‘I Don’t Know Much About Rocks’. The EP begins with a cacophony of wobbly sound effects creating a bed on which a beautiful, piercing voice lays. Hauntingly melancholy atmospheres blend with classical strings and a voice that tiptoes around a wonky synth.

They have a healthy degree of experimentation mid way through, as is seen in ‘Giv£ M£ Mon£y’ where the eccentricity of Cosmo Sheldrake meets the electronic beats of SOPHIE, a combination that may sound strange if it wasn’t found in this EP, where it sits quite perfectly. We can only think that by the end of the EP, the spirit must be laying, like a child does after a party, in blissful wonder, having been launched from the static glow of space to the murky depths of the sea, tired by their evening yet yearning for more. catbandcat will give you this experience, just let them lead you.

Words by Esme Morgan-Jones

better joy

better joy is the ultimate cool girl, perfect for fans of Rachel Chinouriri and Baby Queen. Her newest single ‘Waiting on Time’ strikes a perfect balance with a toe-tapping rhythm and an upbeat chorus, combined with beautiful storytelling that perfectly captures a sense of yearning and longing.

With lyrics like "I see a ladder to a midnight star" and "I see a forest / I see the roots on fire", this song is pure poetry. More poppy than some of her previous singles, the pre-chorus in particular is a masterpiece and the highlight of the song, doing a brilliant job of building tension ahead of the earworming chorus

https://www.youtube.com/watch?v=LmXJtToyo3o

‘Waiting on Time’ is the latest in a series of singles, each as impeccably well-written and polished as the last, and we can’t wait to hear what she comes out with next. Catch her on tour this Spring, which includes Night & Day Cafe in Manchester.

Words by Beth Turner

Odelia

Although originally from the other side of the pond in Baltimore, Odelia is currently based in Liverpool and is leaving her mark on the Northern music scene. With the release of her most recent single ‘Run’, it's clear that she has perfected the art of blending hauntingly emotional lyrics and distinct guitar instrumentals to create a strikingly experimental and complex song.

Accompanied by a visually beautiful music video, Odelia manages to exhibit her artistic talents and potential for future projects. Through her assertive lyric “I was not prepared to run” that creeps up throughout the song, Odelia makes it clear she’s confident in crafting a motif that resonates with listeners. As the story unfolds we are reminded that she is escaping something and, although it is a personal story she tells, it resonates with all of us struggling with finding an escape.

https://www.youtube.com/watch?v=ZDMJM2k8gnw

Odelia has crafted a single which is not only beautiful to listen to, but gets us excited to see what she's releasing in the future.

Words by Matilda Jane Sangster

Leeroy Salmon

Leeroy Salmon, a Manchester-based Jazz Punk band, released their first debut single ‘Kim Chi’ it does not disappoint.

‘Kim Chi’ offers a concoction of genres with its juxtaposing verses of loud Punk Rock shouting and quieter harmonious lyricism, that embody the elements of Jazz. The intro blends together the sounds of beautiful Punk drums and catchy electric guitar riffs, so that it is impossible not to instantly love this song.

Despite being a small fish in the big music production pond, Leeroy Salmon have already made a splash in the industry, performing some high intensity, high energy gigs last year. In light of their new release plan on doing many more. The band writes that “this has been in the pipeline for a long time and we are super hyped to be kicking off the new year in style”. 

With loads more on the horizon this year this band is definitely one to add to this year's playlist.

Words by Megan Howard