Even before the release of their first EP, Søftbleach are making waves that transcend the boundaries of Pop and their single ‘ Ego Boost ’ has our hearts pounding. Boundless vocals from Darla Jade illuminate the intimacy of longing with the trepidation of self-discovery and self-confidence. In the aftermath, our egos are rightly bolstered and our minds struck with this captivating melody. Multi-instrumentalist Dustin Dooley unleashes ethereal distorted guitars which pulse

CARNE ’s new single ‘Lurk’  hits like a creeping shadow. Shoegaze meets Grunge on a Metal backdrop, the track swells with thick, distorted guitars and sudden, powerful breakdowns that punch straight through the mix. Vocally, it leans into that raw, 90s edge — Courtney Love  grit with a modern bite — backed by wrenching screams that lift the intensity even further. Lyrically, ‘ Lurk ’  sits in a world of paranoia and obsession: “something is awry,” “fire lingers,” desire simme

Following their debut album at the end of last year, Brisbane’s Layer Cake have released a pair of singles in 2025, the most recent being the melodic and reflective ‘ HEY MR. ’   The track combines soft guitar, light synthesizers and a delicate and masterfully blended vocal harmony, creating a breezy and dreamy feeling around the track, despite the seriousness of its lyrical content.  Layer Cake 2025 Instantly, the band present an internal conflict as they ask “Hey mister, w

Future Yard on the 22nd of November was a little like an old picture of your parents; slightly hazy, glamorously messy and probably fueled by something not mentioned after the night is over.  Opening this affair were Idyllic, a jumble of jangly 60s guitar lines and 90s indie-rock crescendos. They’re the back room of an old record shop, bits of Jimi Hendrix  and a couple of tunes by The Verve , with whisky stained dust sleeves and old guitar picks that rattle around. Each song

Temeraire - an ensemble born from Liverpool’s music course - unveiled their first acoustic set within the warm, rustic embrace of Artefact , a venue that seemed to inhale and exhale with the band’s every note. The evening unfolded like a tapestry of brassy hues, yearning vocals, and a distinctly bohemian aura that lingered in the audience. The night had a gentle, handmade sound, each charming song being another step into their budding music career. Photo Credit: Will Litton

Alessi Rose has emerged as one of the UK's most exciting new pop sensations in recent years. Her bold, cutting lyricism, alluring gothic aesthetic and infectious songwriting has earned her masses of adoring young fans as well as huge support slots alongside the likes of Tate McRae and Noah Kahan . Now, she has embarked on her own big UK tour, landing in Liverpool on Friday 21st November and we were there to capture it! Photo Credit: Paul Lang It was immediately evident how

On October 29 th , alright (okay) released their long-anticipated EP ‘ Decent (Fine) ’ ( read our review here ). Then, on November 15 th  we gathered to hear this enticing EP played live at Liverpool’s trendy venue Future Yard. Boasting five support acts, the gig was thrust into life by Grungy, eruptive three-piece colourwash , followed by the Metal-infused Face It Tegan and the haunting intensity of Broadsheet Speak , peaking   with the Punky, radiant energy of Broken Down G

In the grand Philharmonic Hall , where classical instruments usually whisper, true Rock ‘n Roll erupted with full force. Yee Loi, a fiercely talented, punk family trio, hit the stage with explosive energy and a gritty yet polished sound that felt refreshingly raw for the refined setting. Rebellious and punky, they joked, “I didn’t think they let people like us into places like these.” But it was clear; the moment they bursted upon the stage, they deserved and worked hard fo

Nep kicks down the door and announces herself to the Alt Pop scene with her debut album ‘Noelle’ , a raw yet optimistic coming of age project that explores the highs and lows of her Daytona upbringing. Characterised by acoustic guitar and personal songwriting, tracks like ‘I Will always Love You Alright’, draw on Bedroom Pop influences like Cavetown and mxmtoon . The album’s centrepiece, appropriately titled ‘Daytona’ , epitomises the albums Indie-Rock edge, combining raw